Monday, 23 April 2012

[C882.Ebook] Get Free Ebook Koba el temible (Spanish Edition), by Martin Amis

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Koba el Temible es un libro de memorias, una cronica, una meditacion sobre Stalin y su legado; un libro politico sin dejar de ser personal. Se centra en un importante punto debil del pensamiento del siglo XX: la tolerancia de los intelectuales occidentales ante el comunismo. Entre el personal comienzo y el final personal, Amis nos ofrece el mejor �cursillo� que se ha escrito sobre Stalin. / This is a chronicle, a book of memories, a reflection about Joseph Stalin and his legacy. This is a book is not only related to the political spectrum of the communist regime but also it approaches the personal life of the leader. The focus is on one of the main weakness of the 20th Century thinking: the high level of tolerance of Western intellectuals with communism. Martin Amis has written the best course of Stalin.

  • Sales Rank: #4951628 in Books
  • Published on: 2015-06-30
  • Original language: Spanish
  • Dimensions: 8.25" h x 5.25" w x .75" l,
  • Binding: Paperback
  • 328 pages

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0 of 0 people found the following review helpful.
Dsacht� Stalinschina
By Oscar L. Vazquez
Tras la muerte de Lenin en 1924, Stalin se va haciendo poco a poco con el poder absoluto en la Uni�n Sovi�tica. Es nombrado Secretario General de PCUS (1922-1952), Presidente del Consejo de Ministros (1941-1953) y Ministro de Defensa (1941-1946) abarcando y controlando todos los puestos de mando claves del pa�s. Como un perfecto monarca absolutista de todas las Rusias gobern� con mano dura durante treinta a�os, su megaloman�a y sadismo paranoico no tuvieron l�mites llegando a deportar u ordenar la ejecuci�n de muchos de sus cercanos colaboradores y sus respectivas familias. Sin un �pice de conciencia y sin que le temblara el pulso mando a la muerte segura a m�s de veinte millones de infelices con los planes de Colectivizaci�n e Industrializaci�n forzosa destruyendo la estructura social del pa�s conocida hasta entonces. Apoyando en los servicios represivos de la Checa, las denuncias an�nimas y la abolici�n de las libertades civiles neutraliz� o elimin� a la inteligencia nacional, con la implantaci�n del terror fue silenciando sistem�ticamente a la supuesta oposici�n interna mediante el asesinato, "los accidentes o muertes naturales", las confesiones forzosas y las deportaciones en masa a los gulags siberianos de los que volv�an muy pocos en una pieza provocando una supervivencia civil silenciosa que marcar�a a la sociedad sovi�tica por generaciones y la llevar�a a la decadencia absoluta. Anciano ya, la muerte le sorprendi� planificando nuevos pogroms paranoicos que afortunadamente no se llevaron a la pr�ctica.
Cr�nica directa, absolutamente cruel y fr�a sobre la obra pol�tica, la psiquis y personalidad de I�sif Vissari�novich Stalin (1878-1953). Hombre cruel, s�dico y sin escr�pulos que gobern� con mano dura la URSS por tres d�cadas, creador de un estado policial terror�fico que masacr�, esclaviz� y tortur� f�sica y mentalmente con total impunidad a millones de inocentes para saciar su sed de sangre y poder. en nombre de una ideolog�a ut�pica absurda fracasada desde su puesta en pr�ctica que solo se sostuvo mediante el terror psicol�gico y f�sico, una total falta de libertad de acci�n y expresi�n, una miseria generalizada, una inseguridad ciudadana latente y un estancamiento de todos los sectores del pa�s. Una lectura conmovedora que aporta un poco m�s de luz sobre el oscuro reino del s�trapa georgiano en la Uni�n Sovi�tica.

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Tuesday, 17 April 2012

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Monday, 16 April 2012

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Art Since 1900: Modernism, Antimodernism, Postmodernism (Vol. 2: 1945 to the Present), by Hal Foster, Rosalind Krauss, Yve-Alain Bois, Ben

A landmark in art history and the most anticipated art publishing event of the new millennium.

In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms.

Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 100 short essays, each focusing on a crucial event―the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition―to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period. All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' texts are more than 600 of the most important works of the century, many reproduced in full color.

The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. Boxes give further background information on the important figures and issues.

In their insightful introductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study. Two roundtable discussions ―one at midcentury, the other at the close of the book―consider the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume.
600 illustrations, 400 in color

  • Sales Rank: #150109 in Books
  • Brand: Brand: Thames and Hudson
  • Published on: 2005-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.20" w x 8.60" l, 3.69 pounds
  • Binding: Paperback
  • 424 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Here's an exceptional rarity: a large, sweeping art history text book so well-done it almost makes the reader wish she or he were back in school. It's rather amazing that it took so long for a book like Art Since 1900: Modernism, Antimodernism, and Postmodernism to exist: a balanced, seven hundred page historical tome written with multiple perspectives in mind. As any undergrad knows, H.W. Janson's ubiquitous History of Art was written as if art history were some sort of race to colonize ideas and imagery; you'll likely not miss Janson's fetish for pointing out who did what first. Penned by a nimble crew who all teach at Ivy League universities, Art Since 1900, which mirrors the development of psychoanalysis and the creation of a huge international art scene, is on a smaller scale a history of contemporary theory and the art world almost as much as it is the art itself. Attention is paid throughout to important exhibits and texts, pointing out the rippling effect throughout the art community of these mirrors and portals. The book is arranged so that there are one or two essays per year. In such a novel format, often undervalued movements are given as much respect as Cubism and Minimalism. There are entire chapters here on Fluxus, feminist art, the Assemblage movement, Lettrism, the Independent Group, Gutai, Kineticism, the Harlem Renaissance, Aktionism, earthworks, video art, and the aesthetics of ACT UP. As with any history, there are personalities whose works are emphasized over that of others; the scant attention given to Jean-Michel Basquiat, for instance, is a rather large question mark. Quibbles aside, it's a very important, and nearly immaculate, work. --Mike McGonigal

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From Publishers Weekly
This history, coming soon to a college survey class near you, is like the period of art it covers: as often obscure and frustrating as it is dazzling and insightful. The authors, four prominent art history professors, offer a work that is beyond reproach with regard to thoroughness and accuracy but, despite the rich pageant of ideas on parade, they rarely illuminate their subject with even the faintest spark of excitement. Art is presented as a series of problems (the problem of figuration, the problem of post-colonialism, the problem of history), as if the ideas behind art were interchangeable with art itself. Painter Paul Gauguin, for example, is dissected solely in terms of his ill-conceived notions of the primitive purity of non-Western cultures, which is a bit like judging a fine meal only by its cholesterol content. The book's rigorously academic prose often sounds like a debate the reader has happened into the middle of: e.g., "Any attempt to transform autonomy into a transhistorical, if not ontological precondition of aesthetic experience, however, is profoundly problematic." Despite these defects, the volume manages to be fast moving thanks to its snappy format-107 short chapters, each broken up by subheadings, illustrations and sidebars-and it cannot fail to impress through the sheer vigor and profusion of the ideas on display, from Cubism to Chris Burden. Indeed, the book is a kind of intellectual tilt-a-whirl, with no comforting H.W. Janson-style master narrative at its center. The authors leave their own authority in deconstructed shards in the first paragraph of the introduction, which invites readers to arrange the book's "puzzle pieces" according to individual need. It may be a lively ride to those already familiar with its terms, but to the uninitiated, this book will likely remain a series of broken conversations.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic, and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.

Rosalind Krauss is University Professor of Modern Art and Theory at Columbia University.

Yve-Alain Bois is an author and professor of Art History at the Institute for Advanced Study, Princeton, New Jersey.

Benjamin H. D. Buchloh is the Andrew W. Mellon Professor of Modern Art at Harvard University.

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0 of 1 people found the following review helpful.
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By Amazon Customer
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22 of 24 people found the following review helpful.
What's New
By Benjamin Lima
The publishers don't make it easy to see what's new in the second edition. Based on my initial examination, there is:

* "1949b" (Foster) on CoBRA and the New Brutalists

* "1962d" (Krauss) on Greenberg, abstraction and Pop

* "2007a" (Krauss) on Christian Marclay, Sophie Calle, William Kentridge, and the post-medium condition, with box on Brian O'Doherty and the white cube

* "2007c" (Foster) on Damien Hirst

* "2009a" (Joselit) on Tania Bruguera and Our Literal Speed

* "2009b" (Joselit) on Jutta Koether, Wade Guyton, R. H. Quaytman among others, transitive painting and "Painting Beside Itself"

* "2009c" (Joselit) on Harun Farocki, video games and modern war

* "2010a" (Joselit) on Ai Weiwei, Tate Modern and China

* "2010b" (Joselit) on Claire Fontaine and the avatar

21 of 24 people found the following review helpful.
here come the grownups
By J. Smith
Art Since 1900 probably shouldn't be read by artists, younger ones at least. Here is where all your sincerity, all your peer support, all your sudden joy in thinking you've finally got it right this time, goes to die, splattered like meaningless bracken against the wall of Context, of History. Probably what's enraged so many people so much about this book is that its authors, scholars of 20th century art if there ever were any, aren't in the least afraid to make judgements, to call a bad idea a bad idea, to explore the limits of an artwork's relevance to the question: can art still matter? The criticisms of the book all seem to want to posit some grand democracy of artistic endeavor, or better still an anarchy, all the while ignoring the fact that we've already gone past the point of anarchy and moved into pure spectacle, which can only exist within the disavowal of history, and of judgement. Utopia's already here, but this book wants to mean more than that. Ultimately its message seems to be, simply: not making crap takes hard work. Read it and suffer.

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Thursday, 12 April 2012

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[(Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory)] [Author: Lukasz Stanek] published on (August, 2011)

  • Published on: 2011-08-01
  • Binding: Paperback

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Saturday, 7 April 2012

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Beverly Buffini's passion and mission are to help others be the best they can be. She does this through offering her own story of overcoming all obstacles by determined commitment and faith. Her keys to self-affirmation and self-fulfillment provide inspiring and useful reading.

  • Sales Rank: #2965540 in Books
  • Published on: 2003
  • Binding: Hardcover
  • 114 pages

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0 of 0 people found the following review helpful.
Four Stars
By JT
Great positive attitude book

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Thursday, 5 April 2012

[S532.Ebook] Free PDF Pimp: The Story of My Life [Paperback], by ICEBERG SLIM

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  • Sales Rank: #3879224 in Books
  • Published on: 2010
  • Binding: Unknown Binding

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Sunday, 1 April 2012

[E955.Ebook] PDF Download Notes on Falling, by Delbert E. Pullen

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"Without a doubt, the hardest part of writing a book is actually writing a book, not just talking about writing a book." -Delbert E. Pullen, author/master liar Meet Delbert E. Pullen. He's a musician, an entrepreneur, a man who loves his family, author of this book, and a huge liar! So, what is Notes on Falling? Think Hunter S. Thompson meets David Sedaris (Those guys are famous, right?), but an even gooder writer! You'll laugh, you'll cry, you'll feedc heater out of your money, etc. Surely, this is enough junk about this book, right? I mean, do people even read these things anymore?

  • Published on: 2015-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .44" w x 5.50" l, .51 pounds
  • Binding: Paperback
  • 176 pages

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0 of 0 people found the following review helpful.
Great read!
By TX Vagabond
This book was a wonderful read. It takes you on a journey through Delbert Pullen's life. Can you say dysfunctional? Kind sorta? Maybe?
Just a fun read. What a sense of humour! The compilation of short stories are great. Some are fact, some are fiction and some are down right lies. All are fun to read. After completing one story I would find myself excited to read on with great curiosity to see what the next story may bring.
I recommend reading each story in order because when you least expect it one story may make reference to another.

0 of 0 people found the following review helpful.
Who knew it woudl be so good!?!
By Alex Roth
...I really liked it. Made me laugh and emotional when you talked about your Dad. I could tell how much you
loved him and how much you miss him. He was a good man who did love his family. Truth, exaggerated truth, fantasy, imagination, down right lies and humor. What else could you ask for?

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